Bernardine Evaristo’s The Emperor’s Babe: Re-narrating Roman Britannia, De-essentialising European History


Published: Apr 11, 2019
Keywords:
Bernardine Evaristo Roman London black culture Black women
Ester Gendusa
Abstract

Bernardine Evaristo’s The Emperor’s Babe (2001) contributes to the imaginative disentanglement of the traditional British ethnicity-and-nation nexus and questions the related founding myth of racial purity by featuring the character of Zuleika, a young black woman who is born of Sudanese parents in Roman London. Through the depiction of Zuleika, Evaristo offers a subversive reshaping of some versions of the official British national history in the context of a wider revision of the European classical past. However, in spite of its temporal setting, Evaristo’s historical novel simultaneously engages with contemporary issues of gendered racialisation and national belonging. In its highly orchestrated poetic prose, Roman Londinium and today’s London are imaginatively interwoven. This enables the reader to correlate Zuleika’s attempts at negotiating her right to citizenship in the Roman empire to contemporary Black British feminist politics, committed as it is to resisting structures of sexist and racial discrimination at play in present-day Britain.


Article Details
  • Section
  • Articles
Downloads
Download data is not yet available.
Author Biography
Ester Gendusa, University of Palermo
Ester Gendusa is a Lecturer at the University of Palermo. She holds a Ph.D.  in  English  literature  (University  of  Palermo)  and  a  Master  of  Arts  in ‘Gender, Culture and Politics’ (University of London). She is the author of Asimmetrie di genere e di razza in The Grass Is Singing di Doris Lessing (Aracne, 2011) and Identitànere e cultura europea. La narrativa di Bernardine Evaristo (Carocci, 2014), She has written articles and book chapters on Arundhaty Roy, Erna Brodber, Margaret Atwood and Bernardine Evaristo. Recently, she has edited the first collection of Evaristo’s short stories (Dove finisce il mondo, Salento Books, forthcoming).
References
Anderson, Perry. “Components of the National Culture.” 1967. English Questions. London: Verso, 1992. 48-104.
Aziz, Razia. “Feminism and the Challenge of Racism.” 1992. Black British Feminism. A Reader. Ed. Heidi Safia Mirza. London and New York: Routledge, 1998. 70-77.
Baker, Houston A. Jr., Stephen Best and Ruth H. Lindeborg. “Representing Blackness/Representing Britain: Cultural Studies and the Politics of Knowledge.” Black British Cultural Studies. A Reader. Ed. Houston A. Baker, Jr., Manthia Diawara and Ruth H. Lindeborg. Chicago and London: The U of Chicago P, 1996. 1-15.
Bernal, Martin. Black Athena. Vol. 1. 1987. London: Vintage, 1991.
Birkholz, Daniel. The King’s Two Maps: Cartography and Culture in Thirteenthcentury England. London: Routledge, 2004.
Bradford, Richard. The Novel Now. Contemporary British Fiction. Oxford and Malden (MA): Blackwell, 2007.
Bradley, Mark, ed. Classics and Imperialism in the British Empire. Oxford: OUP, 2010.
Burton, Antoinette. “Who Needs the Nation? Interrogating ‘British’ History’.” Journal of Historical Sociology 10.3 (1997): 227-48.
Carby, Hazel. “White Woman Listen! Black Feminism and the Boundaries of Sisterhood’” 1982. Black British Feminism. A Reader. Ed. Heidi Safia Mirza. London and New York: Routledge, 1998. 45-53.
Cuevas, Susanne. Babylon and Golden City. Representation of London in Black and Asian British Novels since the 1990s. Heidelberg: Winter, 2008.
Elam, Diane. Romancing the Postmodern. London: Routledge, 1992.
Evans, David, and Jenny Newman. “Barry Unsworth.” Contemporary British and Irish Fiction: An Introduction through Interviews. Ed. Jenny Newman, Sharon Monteith and Pat Wheeler. London: Arnold, 2004. 135-50.
Evaristo, Bernardine. The Emperor’s Babe. A Novel. 2001. London: Penguin, 2002.
Evaristo, Bernardine. Lara. London: Angela Royal, 1997.
Evaristo, Bernardine. Soul Tourists. London: Hamish Hamilton, 2005.
Fleishman, Avrom. The English Historical Novel. Walter Scott to Virginia Woolf, Baltimore and London: The Johns Hopkins Press, 1971.
Fryer, Peter. Staying Power. The History of Black People in Britain. London: Pluto Press, 1984.
Gilroy, Paul. There Ain’t No Black in the Union Jack. 1987. London: Routledge, 2002.
Gunning, Dave. “Cosmopolitanism and Marginalisation in Bernardine Evaristo’s The Emperor’s Babe.” Write Black, Write British. Ed. Kadija Sesay. Hertford: Hansib, 2005. 165-78.
Hall, Catherine. White, Male and Middle Class. Explorations in Feminism and History. Cambridge: Polity Press, 1992.
Hall, Stuart. “New Ethnicities.” 1989. ‘Race’, Culture and Difference. Ed. James Donald and Ali Rattansi. London: Sage in association with The Open University, 2003. 252-59.
Heilmann, Ann, and Mark Llwellyn. “Hystorical Fictions: Women (Re)Writing and (Re)Reading History.” Women: A Cultural Review 15.2 (2004): 137-52.
Hulme, Peter. “The Atlantic World of Sacred Hunger.” New Left Review 1.204 (1996): 138-44.
Hutcheon, Linda. A Poetics of Postmodernism. History, Theory, Fiction. New York and London: Routledge, 1988.
Keen, Suzanne. “The Historical Turn in British Fiction.” A Concise Companion to Contemporary British Fiction. Ed. James F. English. Malden: Blackwell, 2006. 167-87
Mirza, Heidi Safia. “Mapping a Genealogy of Black British Feminism.” 1997. Black British Feminism. A Reader. Ed. Heidi Safia Mirza. London and New York: Routledge, 1998. 1-28.
Niven, Alastair. “Bernardine Evaristo with Alastair Niven.” Writing across Worlds. Contemporary Writers Talk. Ed. Susheila Nasta. London: Routledge, 2004. 279-91.
Sandapen, Sheila. Being Black, Becoming British. Contemporary Female Voices in Black British Literature, Ph.D. thesis, Indiana University of Pennsylvania, 2009.
Segal, Lynne. Slow Motion. Changing Masculinities, Changing Men. 1990. London: Virago, 1997.
White, Hayden. The Content of the Form. 1987. Baltimore and London: The Johns Hopkins U P, 1992.
White, Hayden. Metahistory. Baltimore and London: The Johns Hopkins UP, 1973.
White, Hayden. Tropics of Discourse. Essays in Cultural Criticism. 1978. Baltimore and London: The Johns Hopkins UP, 1992.