THE LIMITS OF THE ILLUSTRATOR IN CONTEMPORARY TIMES: BETWEEN THE POLYMATH, THE DESIGNER-AUTHOR AND MARKET IMPOSITIONS
Abstract
Abstract
Over the past few decades, illustration has undergone a profound transformation, shifting from its traditional role as a form of commercial art to a multifaceted discipline that intersects with design, authorship, and contemporary art practices. This article, included in the Artwork/Portfolio section of the Arts, Culture and Design Journal, examines the evolving position of the illustrator in this complex scenario, focusing on three central dimensions: the rise of the polymath model, the economic and professional constraints imposed by the market, and the pursuit of authorship as a strategy for artistic and intellectual emancipation.
Drawing upon theoretical contributions from Alan Male, Roderick Mills, Sue Clark, and others, alongside the author’s own academic and professional experience, and some of his portfolio pieces, the article analyses how illustrators are required to navigate between versatility and specialisation, service and expression, commercial viability and creative autonomy. The polymath principle, which values interdisciplinarity and intellectual adaptability, is discussed in contrast with the precarious economic conditions that characterise much of the illustration industry, particularly in peripheral markets such as Portugal.
The article also explores the tension between authorship and legibility, highlighting how the quest for individual style and artistic recognition may compromise communicative clarity, especially in children’s publishing. Through the author’s own body of work, illustration is positioned as a discipline that continually negotiates its boundaries, questioning its place between applied design and fine art.
Ultimately, this reflection argues that the contemporary illustrator operates in a state of productive contradiction: simultaneously constrained by market demands and liberated by expanded modes of practice and authorship. In this sense, illustration today functions as a field of negotiation - between economy and expression, legibility and ambiguity, art and service - revealing the complexity and richness of its current identity.
Keywords: Illustration, Authorship, Polymath Principle, Visual Communication, Market Constraints, Legibility, Contemporary Art.
Article Details
- How to Cite
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Saraiva, J. (2026). THE LIMITS OF THE ILLUSTRATOR IN CONTEMPORARY TIMES: BETWEEN THE POLYMATH, THE DESIGNER-AUTHOR AND MARKET IMPOSITIONS. Design/Arts/Culture, 5(2), 108–121. https://doi.org/10.12681/dac.42960
- Section
- Artwork/Portfolio
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