Dimitra Vassiliadou, Στον τροπικό της γραφής: Οικογενειακοί δεσμοί και συναισθήματα στην αστική Ελλάδα, 1850–1930 [The tropic of writing family ties and emotions in modern Greece, 1850–1930]

HTML
Published: Jun 19, 2019
DOI: https://doi.org/10.12681/historein.18975
Keywords:
Social history letter-writing Greece
Anna Matthaiou
University of Thessaly
https://orcid.org/0000-0003-2444-9681
Abstract

Review of Dimitra Vassiliadou. Στον τροπικό της γραφής: Οικογενειακοί δεσμοί και συναισθήματα στην αστική Ελλάδα, 1850–1930 [The tropic of writing family ties and emotions in modern Greece, 1850–1930]. Athens: Gutenberg, 2018. 292 pp.

Article Details
  • Section
  • BOOK REVIEWS
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

The copyright for articles in this journal is retained by the author(s), with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use (with the exception of the non-granted right to make derivative works) with proper attribution for non-commercial uses (licence Creative Commons 4.0). EKT/NHRF retains the worldwide right to reproduce, display, distribute, and use articles published in Historein in all formats and media, either separately or as part of collective works for the full term of copyright. This includes but is not limited to the right to publish articles in an issue of the Journal, copy and distribute individual reprints of the articles, authorize reproduction of articles in their entirety in another EKT/NHRF publication, and authorize reproduction and distribution of articles or abstracts thereof by means of computerized retrieval systems.
Downloads
Download data is not yet available.
Author Biography
Anna Matthaiou, University of Thessaly

Anna Matthaiou was born in Athens in 1959. She studied English literature at the University of Athens and history in Paris (DÉA: École des Hautes Études en Sciences Sociales – Doctorat: Université de Paris 1, Panthéon-Sorbonne). She has taught modern Greek history at the Department of History and Archaeology of the University of Crete, at the Department of Social Anthropology and History of the University of the Aegean and, since 2000, at the Department of History, Archaeology and Social Anthropology of the University of Thessaly. Her research interests include aspects of social and cultural history (history of food, of family and sexuality, of early and modern Greek editions). She has published books and articles on related fields. She is member of the Archives of Contemporary Social History (ASKI) and the editorial board of the reviews Αρχειοτάξιο (Archiotaxio) and Τα Ιστορικά (Historica).

References
Goody, Jack. “Stolen Love: European Claims to the Emotions.” The Theft of History. Cambridge: Cambridge University Press, 2006.
Moullas, Panayiotis. Ο λόγος της απουσίας. Δοκίμιο για την επιστολογραφία με σαράντα ανέκδοτα γράμματα του Φώτου Πολίτη (1908–1910) [The language of absence: essay on correspondence with forty anecdotal letters by Fotos Politis (1908–1910)]. Athens: Cultural Foundation of the National Bank of Greece, 1992.
Papatheodorou, Yiannis. “‘Η ανάγνωσις των τερπνών γραμμάτων’: Ρητορική τέχνη και αστική ηθική στο Επιστολάριον (1843) του Γρηγόριου Παλαιολόγου” [The reading of informal letters: The art of rhetoric and middle-class morality in Grigorios Paleologos’ Epistolarion [Letter Writing] (1843)].” In Μεσαιωνικά και Νέα Ελληνικά [Medieval and Modern Greek], vol. 8, 181–95. Athens: Academy of Athens, 2006.
Politis, Alexis. “Επαναστάσεως αποτελέσματα στον έρωτα. Προκαταρκτικές σημειώσεις για την απεικόνιση του έρωτα σε λογοτεχνικά κείμενα του 19ου αιώνα [Effects of revolution on love: preliminary notes on depiction of love in literary texts of the 19th century].” In Ζητήματα νεοελληνικής φιλολογίας: μετρικά, υφολογικά, κριτικά, μεταφραστικά [Topics in modern Greek philology: metre, style, criticism, translation], ], ed. Ilia Papastathi, 161–69. Thessaloniki: Aristotle University of Thessaloniki, 2016.