Ο χορός ως αντικείμενο επιστημονικής έρευνας και φιλοσοφίας. Προλεγόμενα

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Pubblicato: Ιαν 11, 2020
DOI: https://doi.org/10.12681/eml.22108
Anna Lazou
Abstract

τέχνη του χορού μελετάται σήμερα από τις επιστήμες και τη φιλοσοφία. Από την εποχή των αρχαίων Ελλήνων στοχαστών μέχρι τη σύγχρονη εποχή, ο χορός δεν έπαψε να θεωρείται τρόπος έκφρασης πολλαπλών δυνατοτήτων του πολιτισμού. Ο τρόπος που εκφράστηκε χορευτικά ο άνθρωπος στην ιστορία είναι και αποτύπωση σε κάθε εποχή της σχέσης του με τη φύση, το σύμπαν και τις κοινωνικές δομές.

Επιλέγοντας τις κυριότερες από το σύνολο των αναφορών στον χορό που μπορεί να συναντήσει σήμερα ο σύγχρονος αναγνώστης διαπιστώνουμε τον πλούτο και την πολυμέρεια των πληροφοριών και των προσεγγίσεων καθώς και τον διεπιστημονικό χαρακτήρα των μελετών. Ωστόσο, τόσο η ιστορική όσο και η φιλολογική, καθώς και η πιο πρόσφατη εθνολογική και ανθρωπολογική προσέγγιση δεν παύουν να παραμένουν σε ένα πληροφοριακό και εγκυκλοπαιδικού τύπου πεδίο, χωρίς να ολοκληρώνεται η θεωρητική εξήγηση και κατανόηση του φαινομένου, παρά μόνο εφ’ όσον τεθούν και απαντηθούν φιλοσοφικής υφής ερωτήματα. Αυτά τα τελευταία λοιπόν έχουν να κάνουν τόσο με την ταυτότητα της  χορευτικής εμπειρίας- βάσει των δεδομένων της έρευνας των υπολοίπων μαθήσεων, τη σχέση του χορού με την γλώσσα, την επιστήμη ή τις επιστήμες (ιστορία, φιλολογία, φυσικές επιστήμες

μαθηματικά), τη μεταφυσική και την κοσμολογία, τη λειτουργικότητα κι εφαρμοσιμότητα των χρήσεων του χορού στην κοινωνία, τη θρησκεία και στην πολιτική. Ακόμα και το νόημα του χορού ή οι αισθητικές αρχές αλλά και οι ηθικές και παιδευτικές αξίες της χορευτικής δραστηριότητας των αρχαίων, εμπίπτουν σε παραδοσιακούς τομείς του φιλοσοφικού στοχασμού ή τουλάχιστον δεν συστηματοποιούνται επαρκώς στην κατεύθυνση μιας μεθοδικής έρευνας, παρά μόνο εάν υπαχθούν σε φιλοσοφική διερεύνηση.

Θα επικεντρωθούμε στα δεδομένα εκείνα που μπορούν να δείξουν ότι ο χορός και η όρχηση αντιμετωπίζεται από την φιλοσοφία ως μια ανθρωπολογική και συνάμα κοσμολογική έννοια που αναφέρεται στη σχέση του ανθρώπινου όντος τόσο με τον εσωτερικό ψυχισμό του όσο και με τον περιβάλλοντα κόσμο. Η «ευφυία» του αρχαίου ελληνικού χορευτικού πολιτισμού που ως φαινόμενο ξεδιπλώνεται σε πολλούς αιώνες, σε ποικίλα σχήματα και μουσικοποιητικά είδη, αλλά και με πλούσια κοινωνική, εκπαιδευτική και θεραπευτική λειτουργικότητα, δεν είναι άλλο από μια ακόμη ανακάλυψη των Ελλήνων από τις απαρχές της ιστορίας τους.

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