Protovarys in theory, tetraphonos in practice?: preliminary observations on an archaeology of the Varys’ intervallics

PDF (English)
Опубликован: Jul 28, 2021
DOI: https://doi.org/10.12681/eml.27595
Georgios Savvas
University of London
Аннотация

This paper opens with a caveat: as denoted in the title, its intention is not to be exhaustive on its subject, as of yet (future publication soon to follow). Attempted will be the exposition and commentation upon a series of indications regarding the intervallics of the plagal third mode, commonly referred to in the sources as Varys (low; due to being the mode with the lowest basis/ison in the ecclesiastical eight-mode system, Octoechos). If these result to a reacquaintance with the mode and a reconsideration of some of its intervallic possibilities, then the paper will have been successful in its intentions.

Article Details
  • Раздел
  • Publishing partner
Лицензия Creative Commons

Это произведение доступно по лицензии Creative Commons «Attribution-NonCommercial» («Атрибуция — Некоммерческое использование») 4.0 Всемирная.

Authors who publish with this journal agree to the following terms:

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.

Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g. post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

Authors are permitted and encouraged to post their work online (preferably in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.

Скачивания
Данные скачивания пока недоступны.
Библиографические ссылки
Chantbooks
Caras, S. [Clentos, N. A., ed.], Eclogarion, etoi ecloge ec ton psalmon tou prophetou kai vasileos David. Athens: Syllogos pros diadosin tes Ethnices Mousices, 2007.
Chaloglou, P. & Constantinou, G., eds. Anthology, Constantinople: Dividjian, 1846.
Chourmouzios Chartophylax. ed. Tameion Anthologias vols I-II (1st ed.). Constantinople, 1824.
Gregorios Protopsaltes & Phocaeus, Th. eds. Tameion Anthologias vols I-II (2nd ed.). Constantinople, 1834.
Ioannes Lampadarios, Stephanos Domesticos, Pandecte tes Ieras Ecclesiastices Hymnodias tou Olou Eniautou vol.II: Matins. Constantinople: Patriarchal Press, 1851.
Nectarios (hieromonk). Calliphonos aedon. Mount Athos: Holy Community of the Holy Mount ‘Athos’ Press, 1984.
Petros the Ephesian, Anthology, Bucharest, 1830.
Petros the Peloponnesian, Ioannes Protopsaltes (Demetrios Ioannou Protopsaltou, ed.). Anastasimatation Neon Argon kai Syntomon. Constantinople: Patriarchal Press, 1905.
Petros the Peloponnesian, Petros Prosopsaltes the Byzantine, Chourmouzios the Archivist. Heirmologion. Constantinople: Castro, 1825.
Phocaeus, Th. & Stavraces Vyzantios, transc., Chourmouzios Chartophylax. ed. Vivlos caloumene Euterpe. Constantinople: Castor [sic], 1830.
Phocaeus, Th. ed. Pandora. Constantinople: Patriarchal Press, vol. I 1843/ vol. II 1846.
Phocaeus, Th. ed. Tameion Anthologias vols I-ΙII (6th ed.). Constantinople, 1869.
Progaces, G. Musice Sylloge in three vols. Constantinople: Patriarchal Press, 1909.
Zapheiropoulos, Z. Anastasimatarion Neon. Athens: Philadelpheus, 1853.
Treatises
Aristoxenus [of Tarentum], Hapanta musica erga: harmonica stoixeia, rhythmica stoixeia, apospasmata. Athens: Cactos, 2005.
Caracatsanes, C., ed. Vyzantine Potameis vol. XI. Theoreticon of Cyrillos Marmarenos of Tenos (ms. 305 Historical and Ethnological Society of Athens 1749), Athens, 2004.
Caras, S. I. Methodos tes Hellenices Musices: Theoreticon vols I & II. Athens: Syllogos pros diadosin tes Ethnices Musices, 1982.
Celtzanides, P. Methodice didascalia theoretice te kai practice. Constantinople: Coromelas & Son, 1881.
Chrysanthos of Madytos. Eisagoge eis to Theoreticon kai Practicon tes Ecclesiastices Musices, syntachtheisa pros chresin ton spoudazonton auten cata ten Nean Methodon. Paris: Rigniou, 1821.
Chrysanthos of Madytus. Theoreticon Mega tes Musices. Trieste: Michele Weis, 1832.
Georgios Lesvios. Eisagoge Eis to Theoreticon te kai Practicon Tes Musices Technes. Athens, 1840.
Holder, W. A Treatise of the Natural Grounds, and Principles of Harmony, London (3d ed.), 1731.
Philoxenes, C. Theoreticon Stoicheiodes tes Musices. Constantinople: Ignatiades, 1859.
Psachos C., To Octaechon systema tes Vyzantines musices ecclesiastices kai demodous kai to tes armonices synecheseos. Athens, 1941.
Raasted, J., ed. “The Hagiopolites: A Byzantine Treatise on Musical Theory.” Cahiers de l'Institut du Moyen-Âge Grec et Latin. 45, Copenhagen: Paludan, 1983.
Romanou, K. G. transl. Great Theory of Music by Chrysanthos of Madytos. New Rochelle, New York: Axion Estin Foundation, 2010.
Stephanos Domesticos, Ermeneia tes Exoterices Musices. Constantinople: Patriarchal Press, 1843.
Stoicheiodes didascalia tes ecclesiastices musices ecponetheisa epi te vasei tou Psalteriou tes musices epitropes tou Oecumenicou Patriarcheiou in Constantinople 1883. (First published in Constantinople: Patriarchal Press, 1888). Athens: Cultura, 1978.
Secondary sources
In Greek
Arvanites, I. ‘O Rhythmos ton Ecclesiasticon Melon mesa apo ten Palaiographice Ereuna kai ten Exegese tes Palaias Semeiographias, E metrice kai rythmice dome ton palaion sticheron kai eirmon.’ Doctoral dissertation, Corfu: Ionian University. 2010.
Arvanites, I. “To parelthon kai to paron tou vareos diatonicou echou,” in III International Musicological and Psaltic Conference: Theory and Praxis of the Psaltic Art, 17-21.X.2006, Conference Proceedings. Athens: Idryma Vyzantines Musicologias, 2006. 335-350.
Lekkas, D. E. ‘E mathematice theoria tes musices: pythagoreio kai physico systema.’ Doctoral dissertation, Athens: National and Kapodistrian University of Athens, 1995.
Lekkas, D. E. “Byzantine ‘soft chroma;’ systemic structural approach.” Polyphonia (Athens, Greece). 17 (2010), 7-33.
Lekkas, D. E. “The diatonic basis of Byzantine music; systemic structural approach.” Polyphonia (Athens, Greece). 8 (2006), 7-35.
Stathes, G. Th. Morphes kai morphes tes Psaltices technes, etoi melopoiia - morphologia tes Vyzantines Musices. Athens: Idryma Vyzantines Musicologias, 2011.
In English
Barker, A. “Methods and Aims in the Euclidean Sectio Canonis.” Journal of Hellenic Studies. 101 (1981), 1–16.
Chalmers, J. Divisions of the Tetrachord. Lebanon NH: Frog Peak Music, 1990.
Erol, M. ‘The “Musical Question” and the Educated Elite of Greek Orthodox Society in Late Nineteenth-Century Constantinople.’ Journal of Modern Greek Studies. 32: 1 (2014), 133-163.
Hale, M. Historical linguistics: Theory and method. Oxford: Blackwell, 2007.
Levin, F. R. “Ἀπειρία in Aristoxenian Theory.” Hermes. 135: 4 (2007), 406–428.
Mathiesen, Th. J. Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages. Lincoln: University of Nebraska Press, 1999.
McWhorter, J. Words on the Move: Why English Won't - and Can't - Sit Still (Like, Literally). New York : Henry Holt and Co., 2016.
Moore, Sarha ‘The Other Leading Note: A Comparative Study of the Flat Second Pitch Degree in North Indian Classical, Ottoman or Arabian Influenced, Western, Heavy Metal and Film Musics.’ Doctoral dissertation, Sheffield: University of Sheffield, 2014.