The Postcolonial Jew in Anita Desai’s Baumgartner’s Bombay and Caryl Phillips’ The Nature of Blood
Abstract
Anita Desai’s Baumgartner’s Bombay (1988) and Caryl Phillips’ The Nature of Blood (1997) are novels that feature Jewish protagonists; both represent the history of the Holocaust and diverge from the postcolonial landscapes the authors are associated with. Though the Indian Desai and the Anglo-Caribbean Phillips are distinct as postcolonial subjects, their Jewish protagonists help to create what Rebecca Walkowitz terms “comparison literature,” the “work of books that analyse… the transnational contexts of their own production, circulation, and study.” In other words, Desai and Phillips are interested in the structures and dynamics of ethnic identification in a global context. Through what I term the postcolonial Jew, these novels move beyond the notion of ethnic authenticity to a cosmopolitan view of identity as hybrid and positional. The authenticity of and in these novels does not rely on the authors’ ethnic backgrounds, but is found in their ways of telling history. Their intention is to break from the traditional association of Jews with the Judeo-Christian tradition, to represent them instead as separate from the Occidental tradition. As a result, Desai and Phillips utilise a decentred Jew, one who is constantly in flux, disparate, conflicted, and the embodiment of diaspora. The existential condition of this Jew —the placeless place he is called upon to inhabit, which the reader is invited to visit— and the paradoxical states of belonging and displacement become the conditions of all displaced others and represent the constant deferral of meaning in the narrative act.
Article Details
- Section
- Articles
This work is licensed under a Creative Commons Attribution 4.0 International License.
The copyright for articles in this journal is retained by the author(s), with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use with proper attribution. Synthesis retains the worldwide right to reproduce, display, distribute, and use published articles in all formats and media, either separately or as part of collective works for the full term of copyright. This includes but is not limited to the right to publish articles in an issue of the Journal, copy and distribute individual reprints of the articles, authorize reproduction of articles in their entirety, and authorize reproduction and distribution of articles or abstracts thereof by means of computerized retrieval systems.