Front Matter/Table of Contents

1-7

In Memoriam - Loukia Droulia (1931-2019)

8-10

Introduction: Modern Greek theatre on the threshhold of the twentieth and twenty-first centuries

Rea Grigoriou

11-14

From the play to the event: Delineating phenomena of theatrical activity in Greece at the turn of the twenty-first century

Platon Mavromoustakos

15-34

A visit to the our stage festival: Participation, inclusion and sharing at the Bürgerbühne Dresden

Ioulia Pipinia

35-53

Gender and sexuality in contemporary Greek theatre: red-light landscapes and city legends

Lina Rosi

55-71

The notion of the “foreigner” in contemporary Greek drama: “We” through the faces of the “others”

Rea Grigoriou

73-88

Palimpsests of memory: the medieval city of Athens in modern and postmodern contexts

Jenny P. Albani

89-118

Regards Saint-simoniens sur la Grèce insurgée: l’éphémère Producteur (1825–1826)

Despina Provata

119-140

Thinking Europe on Europe’s margins: Alexander Sturdza, Konstantinos Oikonomos and Russian-Greek orthodoxy in the early nineteenth century

Ada Dialla

141-166

Roots ancient or medieval? Nikolaos Politis, modern Greek folklore studies and ancient Greek religion

Agis Marinis

167-186

Nationalism and religion: Historical aspects of the relationship

Ioanni Kyriakantonakis

187-210

Myth or history? Ancient Greek mythology in Paparrigopoulos’ History of the Hellenic nation: controversies, influences and implications

Michael D. Konaris

211-234

Military policy and infrastructure: the role of the Engineer Corps in nineteenth-century Greece

Dimitris Malesis

235-248

The study of modern Hellenism as an academic challenge

Paschalis M. Kitromilides

249-254

Review of: Samuel K. Cohn, Jr., EPIDEMICS: HATE AND COMPASSION FROM THE PLAGUE OF ATHENS TO AIDS, Oxford: Oxford University Press, 2018, 656 pages.

Katerina Konstantinidou

255-260

Reciew of: Tadhg Ó hAnnracháin, CATHOLIC EUROPE, 1592–1648: CENTRE AND PERIPHERIES,Oxford: Oxford University Press, 2015, 282 pages.

Meropi Morfouli

261-264

Review of: Alkis Charalampidis,ΜΠΑΡΟΚ: ΑΡΧΙΤΕΚΤΟΝΙΚΗ, ΓΛΥΠΤΙΚΗ, ΖΩΓΡΑΦΙΚΗ [BAROQUE: ARCHITECTURE, SCULPTURE, PEINTURE], Kalliopi Tzimagiorgi (éd.), Thessalonique: University Studio Press, 2017, 221 pages, 290 figures.

Eugénie Drakopoulou

265-267

Review of: Dimitris Dimitropoulos, Christos Loukos and Panagiotis Michailaris (eds.),ΌΨΕΙΣ ΤΗΣ ΕΠΑΝΑΣΤΑΣΗΣ ΤΟΥ 1821: ΠΡΑΚΤΙΚΑ ΣΥΝΕΔΡΙΟΥ,ΑθΗΝΑ 12 ΚΑΙ 13 ΙΟΥΝΙΟΥ 2015 [Facets of the 1821 Revolution: Conference Proceedings, Athens, 12–13 June 2015], Athens: Society for the Study of Modern Hellenism–Mnimon, 2018, 404 pages.

Vangelis Sarafis

268-274

Review of: Thomas Crow,RESTORATION: THE FALL OF NAPOLEON IN THE COURSE OF EUROPEAN ART, 1812–1820, Princeton: Princeton University Press, 2018, The A.W. Mellon Lectures in the Fine Arts National Gallery of Art, Washington, D.C. Bollingen Series XXXV: vol. 64, 202 pages, 171 illustrations.

Eugénie Drakopoulou

275-279

Review of: Alexandros, Rizos Rangavis, LE NOTAIRE, TRADUIT DU GREC MODERNE PAR ÉTIENNE DE MOÜY/MUKAVELAT MUHARRIRI, YUNAN EDEBIYATINDAN TÜRKÇEYE ÇEVRILMIŞ VE KARAMANLICA YAZIYLA 1889–1890 YILLARINDA TEFRIkA EDILMIŞ BIR ROMAN,éds Evangelia balta et Niki Stavridi,Istanbul, The Isis Press, 2018, 113 + 167 pages.

Alexandra Sfoini

280-283

Review of: Epaminonda I. Stamatiade, BIOGRAFIILE MARILOR DRAGOMANI (INTERPRETI) GRECI DIN IMPERIUL OTOMAN,[The lives of the Greek great dragomans (interpreters) in the Ottoman Empire] translation from Greek and translator’s foreword by Constantin Erbiceanu, preface by Ioan-Aurel Pop, edition supervised, afterword and notes by Rodica Baconsky and Alina Pelea, Cluj-Napoca: Casa Cărţii de Ştiinţă, 2016, 148 pages.

Alexandra Sfoini

284-286

Review of: Elli Lemonidou (ed.), CENT ANS APRÈS: LA MÉMOIRE DE LA PREMIÈRE GUERRE MONDIALE.ONE HUNDRED YEARS AFTER: THE MEMORY OF THE FIRST WORLD WAR,Athens: École française d’Athènes, 2018, 234 pages.

Sotiris Rizas

287-290

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La Revue Historique Historical Review

291-302