Time and the Antique: linear causality and the Greek art narrative
Περίληψη
No abstract available
Λεπτομέρειες άρθρου
- Πώς να δημιουργήσετε Αναφορές
-
Plantzos, D. (2008). Time and the Antique: linear causality and the Greek art narrative. Μουσείο Μπενάκη, 253–272. https://doi.org/10.12681/benaki.18041
- Ενότητα
- Greek Archaeology: Paradigms and ideologies
Αυτή η εργασία είναι αδειοδοτημένη υπό το CC Αναφορά Δημιουργού – Μη Εμπορική Χρήση – Παρόμοια Διανομή 4.0.
Οι συγγραφείς των άρθρων που δημοσιεύονται στο Μουσείο Μπενάκη διατηρούν τα δικαιώματα πνευματικής ιδιοκτησίας επί των άρθρων τους, δίνοντας στο περιοδικό το δικαίωμα της πρώτης δημοσίευσης. Άρθρα που δημοσιεύονται στα Μουσείο Μπενάκη μπορούν να χρησιμοποιούνται ελεύθερα, χωρίς δικαίωμα τροποποίησης (δημιουργία παράγωγου έργου) με αναφορά στον/στη συγγραφέα και στην πρώτη δημοσίευση για μη κερδοσκοπικούς σκοπούς. Το Μουσείο Μπενάκη διατηρεί το δικαίωμα να δημοσιεύει, να αναπαραγάγει, να παρουσιάζει στο κοινό, να διανέμει και χρησιμοποιεί άρθρα που δημοσιεύονται στο περιοδικό Μουσείο Μπενάκη σε οποιοδήποτε μέσο και μορφή είτε μεμονωμένα είτε ως μέρη συλλογικών έργων, για όλο τον χρόνο διάρκειας προστασίας της πνευματικής ιδιοκτησίας και για όλες τις χώρες του κόσμου. Αυτό περιλαμβάνει ενδεικτικά και όχι αποκλειστικά το δικαίωμα δημοσίευσης των άρθρων σε τεύχη του περιοδικού Μουσείο Μπενάκη, αναπαραγωγής και διανομής μεμονωμένων αντιγράφων των άρθρων, αναπαραγωγής ολόκληρων των άρθρων σε άλλη έκδοση του Μουσείου Μπενάκη, καθώς και αναπαραγωγής και διανομής των άρθρων ή περίληψης αυτών με χρήση πληροφορικού συστήματος αποθετηρίου.Λήψεις
Τα δεδομένα λήψης δεν είναι ακόμη διαθέσιμα.
Αναφορές
Anderson B. 1991: Imagined Communities: Reflections on the Origin and Spread of Nationalism (2nd revised edition; London and New York).
Appadurai A. 1996: Modernity at Large: Cultural Dimensions of Globalization (Minneapolis and London).
Barthes R. 1977: Image Music Text (transl. by S. Heath; London).
Bell E.T. 1986: From peasant to snob: Laplace, in: Men of Mathematics: the Lives and Achievements of the Great Mathematicians from Zeno to Poincaré (New York) 172-82.
Beard M. 1991: Adopting an approach. II, in: Rasmussen T. & Spivey N. (eds), Looking at Greek Vases (Cambridge) 12-35.
Beazley J.D. 1910: Kleophrades, Journal of Hellenic Studies 30, 38-68.
Beazley J.D. 1911: The Master of the Berlin Amphora, Journal of Hellenic Studies 31, 276-95.
Beazley J.D. 1918: Attic Red figured Vases in American Museums (London and Cambridge, MA).
Beazley J.D. 1922: Citharoedus, Journal of Hellenic Studies 42, 70-98.
Berenson B. 1950: Aesthetics and History (London).
Berlin I. 1999: The Roots of Romanticism (Princeton).
Berlin I. 2000: Three Critics of the Enlightenment: Vico, Hamann, Herder (Princeton).
Bhabha H.K. 1994: The Location of Culture (London and New York).
Boardman J. 1987: Silver is white, Revue Archèologique, 279-95.
Boardman J. 2001: The History of Greek Vases (London).
Borbein A.H. 1996: Polykleitos, in: Palagia O. & Pollitt J.J. (eds), Personal Styles in Greek Sculpture. Yale Classical Studies 30 (New Haven) 66-90.
Borbein A.H. et al. (eds) 2000: Klassische Archäologie: eine Einführung (Berlin).
Bourdieu P. 1993: The Field of Cultural Production: Essays on Art and Literature (ed. by R. Johnson; New York).
Brennan T. 1990: The national longing for form, in: Bhabha H.K. (ed.), Nation and Narration (London and New York) 44-70.
Brown D.A. 1979: Berenson and the Connoisseurship of Italian Painting (Washington).
Bruneau P. 1975: Situation méthodologique de l’histoire de l’art antique, L’antiquité classique44, 425-87.
Burckhardt J. 1990: The Civilization of the Renaissance in Italy (London).
Calotychos V. 2003: Modern Greece: a Cultural Poetics (Oxford and New York).
Cassidy D. 1992: Heisenberg, uncertainty and the quantum revolution, Scientific American 266, 106-12.
Chatterjee P. 1993: The Nation and its Fragments: Colonial and Postcolonial Histories (Princeton).
Childs W.A.P. 2005: Stil als Inhalt statt als Künstlersignatur, in: Strocka V.M. (ed.), Meisterwerke: Internationales Symposion anläßlich des 150. Geburtstages von Adolf Furtwängler, Freiburg im Breisgau, 30 Juni– 3 Juli 2003 (Munich) 235-43.
Cook R.M. 1987: Artful crafts: a commentary, Journal of Hellenic Studies 107, 169-71.
Darnton R. 1984: The Great Cat Massacre and Other Episodes in French Cultural History (London).
Derrida J. 1976: Of Grammatology (transl. by G. Chakravorty Spivak; Baltimore and London).
Dimaras K.Th. 2002: Νεοελληνικός Διαφωτισμός (8th edition; Athens).
Dobres M.A. & Robb J.E. (eds) 2000: Agency in Archaeology (London and New York).
Elias N. 2000: ÜberdieZeit: Arbeiten zur Wissenssoziologie II (Munich).
Elsner J. 1990: Significant details: systems, certainties and the art-historian as detective, Antiquity 64, 950-52.
Fabian J. 1983: Time and the Other: how Anthropology makes its Object (New York).
Feynman R.P. 1988: QED: the Strange Theory of Light and Matter (Princeton).
Foucault M. 1970: The Order of Things: an Archaeology of the Human Sciences (New York).
Foucault M. 1972: The Archaeology of Knowledge and the Discourse on Language (transl. by A.M. Sheridan Smith; New York).
Foucault M. 1977: Discipline and Punish: the Birth of the Prison (transl. by A. Sheridan; New York).
Foucault M. 1984a: What is Enlightenment?, in: Rabinow P. (ed.), The Foucault Reader (New York) 32-50.
Foucault M. 1984b: What is an author?, in: Rabinow P. (ed.), The Foucault Reader (New York) 101-20.
Furtwängler A. 1893: Meisterwerke der griechischen Plastik: Kunstgeschichtliche Untersuchungen (Leipsig and Berlin).
Furtwängler A. 1895: Masterpieces of Greek Sculpture: a Series of Essays on the History of Art (London).
Gell A. 1998: Art and Agency: an Anthropological Τheory (Oxford).
Gellner E. 1983: Nations and Nationalism (Ithaca).
Getz-Preziosi P. 1977: Cycladic sculptors and their methods, in: Thimme J. (ed.), Art and Culture of the Cyclades (Karlsruhe) 71-91.
Ginzburg C. 1983: Morelli, Freud and Sherlock Holmes: clues and the scientific method, in: Eco U. & Sebeok T. (eds), The Sign of Three: Dupin, Holmes, Peirce (Bloomington) 81-118.
Gombrich E.H. 1970: Aby Warburg: an Intellectual Biography (London).
Gourgouris S. 1996: Dream Nation: Enlightenment, Colonization and the Institution of Modern Greece (Stanford).
Hamilakis Y. 1992-1998: ‘Στα σκοτεινά πηγαίνουμε στα σκοτεινά προχωρούμε’: σκέψεις γύρω από τη διδασκαλία της αρχαιολογίας στα ελληνικά πανεπιστήμια, Horos 10-12, 585-604.
Hamilakis Y. 2004a: Archaeology and the politics of pedagogy, World Archaeology 36, 287-309.
Hamilakis Y. 2004b: The fragments of modernity and the archaeologies of the future, Modernism/Modernity 11, 55-59.
Hamilakis Y. 2007: The Nation and its Ruins: Antiquity, Archaeology, and National Imagination in Greece (Oxford).
Hamilakis Y. & Yalouri E. 1996: Antiquities as symbolic capital in modern Greek society, Antiquity 70, 117-29.
Hawking S. 1996: A Brief History of Time (New York).
Hayles N.K. 1990: Chaos Bound: Orderly Disorder in Contemporary Literature and Science (Ithaca).
Herzfeld M. 1986: Ours Once More: Folklore, Ideology, and the Making of Modern Greece (New York).
Herzfeld M. 1987: Anthropology Through the Looking Glass: Critical Ethnography in the Margins of Europe (Cambridge).
Hodder I. 1986: Reading the Past: Current Approaches to Interpretation in Archaeology (Cambridge).
Hodder I. 1989: Writing archaeology: site reports in context, Antiquity 63, 268-74.
Hodder I. 1992: Theory and Practice in Archaeology (London and New York).
Hodder I. 1999: The Archaeological Process: an Introduction (Oxford).
Hoffmann H. 1979: In the wake of Beazley: prolegomena to an anthropological study of Greek vase-painting, Hephaistos 1, 61-70.
Huyssen A. 1986: AftertheGreatDivide: Modernism, Mass Culture, Postmodernism (Bloomington and Indianapolis).
Jameson F. 2002: A Singular Modernity: Essay on the Ontology of the Present(New York).
Jenkins I. & Sloan K. 1996: Vases and Volcanoes: Sir William Hamilton and his Collection (London).
Johnson M. 1999: Archaeological Theory: an Introduction (Oxford).
Kalogeropoulou A.G. & Prouni-Filip M. 1973: Στοιχεία της ιστορίας της περί των αρχαιοτήτων μερίμνης από της Τουρκοκρατίας μεχρι και της Οθωνικής περιόδου. Η έκδοσις της Αρχαιολογικής Εφημερίδος, in: Αρχαιολογική Εφημερίς. Ευρετήριον Πρώτης και Δευτέρας Περιόδου 1837-1874, I (Athens) ιεʹ-ροθʹ.
Kellert S.H. 1993: In the Wake of Chaos (Chicago).
Kokkou A. 1977: Η μέριμνα για τις αρχαιότητες στην Ελλάδα και τα πρώτα μουσεία (Athens).
Kuhn T.S. 1985: The Copernican Revolution: Planetary Astronomy in the Development of Western Thought (London and Cambridge, MA).
Kurtz D.C. 1985: Beazley and the connoisseurship of Greek vases, Greek Vases in the J. Paul Getty Museum 2, 237-50.
Lowenthal D. 1988: Classical antiquities as national and global heritage, Antiquity 62, 726-35.
Liakos A. 1994: ‘Προς επισκευήν ολομελείας και ενότητος’. Η δόμηση του εθνικού χρύνου, in: Επιστημονική Συνάντηση στη μνήμη του Κ.Θ. Δημαρά (Athens) 171- 99.
Lorenz E. 1996: The Essence of Chaos: the Jessie and John Danz Lecture Series (Washington).
Lyotard J.-F. 1984: The Postmodern Condition: a Report on Knowledge (transl. by G. Bennington & B. Massumi; Minneapolis).
Maginnis H.B.J. 1990: The role of perceptual learning in connoisseurship: Morelli, Berenson, and beyond, Art History 13, 104-17.
McCloskey D.N. 1991: History, differential equations, and the problem of narration, History and Theory 30, 21-36.
McGlade J. 1999: The times of history: archaeology, narrative and non-linear causality, in: Murray T. (ed.), Time and Archaeology (London) 139-63.
Meskell L. 1998: Archaeology matters, in: Meskell L. (ed.), Archaeology Under Fire: Nationalism, Politics, and Heritage in the Eastern Mediterranean and Middle East (London and New York) 1-12.
Morris C. 1993: Hands up for the individual! The role of attribution studies in Aegean prehistory, Cambridge Archaeological Journal 3, 41-66.
Oakley J.H. 1998: Why study a Greek vase-painter? – A response to Whitley’s ‘Beazley as a theorist’, Antiquity 72, 209-12.
Oakley J.H. 2004: New vases by the Achilles Painter and some further thoughts on the role of attribution, in: Keay S. & Moser S. (eds), Greek Art in View: Essays in honour of Brian Sparkes (Oxford).
Palagia O. & Pollitt J.J. (eds) 1996: Personal Styles in Greek Sculpture. Yale Classical Studies 30 (New Haven).
Peckham R.S. 2001: National Histories, Natural States: Nationalism and the Politics of Place in Greece (London and New York).
Potts A. 1994: Flesh and the Ideal: Winckelmann and the Origins of Art History (New Haven and London).
Price H. 1996: Time’s Arrow and Archimedes’ Point: New Directions for the Physics of Time (Oxford).
Prigogine I. & Stengers I. 1984: Order out of Chaos: Man’s New Dialogue with Nature (New York).
Reinach S. 1907: Adolphe Furtwängler, Chronique des Arts, 310.
Reisch G. 1991: Chaos, History, and Narrative, History and Theory 30, 1-20.
Renan E. 1890: L’Avenir de la science: Pensées de 1848 (Paris).
Renfrew C. 1991: The Cycladic Spirit: Masterpieces from the Nicholas P. Goulandris Collection (New York).
Renfrew C. & Bahn P. 1991: Archaeology: Theories, Methods and Practice (London).
Ridley B.K. 1995: Time, Space and Things (3rd edition; Cambridge).
Robertson M. 1985: Beazley and Attic vase painting, in: Kurtz D.C. (ed.), Beazley and Oxford (Oxford) 19-30.
Robertson M. 1991: Adopting an approach. I, in: Rasmussen T. & Spivey N. (eds), Looking at Greek Vases (Cambridge) 1-12.
Roe P.G. 1995: Style, society, myth, and structure, in: Carr C. & Neitzel J.E. (eds), Style, Society, and Person: Archaeological and Ethnological Perspectives (New York and London) 27-76.
Rouet P. 2001: Approaches to the Study of Attic Vases: Beazley and Pottier (Oxford).
Said E.W. 1994: Orientalism (2nd edition; New York).
Sennett R. 1992: The Fall of Public Man (New York and London).
Shanks M. 1996: Classical Archaeology of Greece: Experiences of the Discipline (London and New York).
Shermer M. 1995: Exorcising Laplace’s demon: chaos and antichaos, history and metahistory, History and Τheory 34, 59-83.
Skopetea E. 1988: Το“Πρότυπο Βασίλειο” και η Μεγάλη Ιδέα. Όψεις του εθνικούπροβλήματος στην Ελλάδα (1830-1880) (Athens).
Skopetea E. 1997: Φαλμεράϋερ: τεχνάσματα του αντιπάλου δέους (Athens).
Sparkes B.A. 1996: The Red and the Black: Studies in Greek Pottery (London and New York).
Stewart I. 2002: Does God Play Dice? The New Mathematics of Chaos (2nd revised edition; Oxford).
Trigger B.G. 1989: A History of Archaeological Thought (Cambridge).
Turner M. 2000: Attribution and iconography, Mediterranean Archaeology 13, 55-66.
Veloudis G. 1982: O Jakob Philipp Fallmerayer και η γένεση του ελληνικού ιστορισμού (Athens).
Vickers M. 1985: Artful crafts; the influence of metalwork on Athenian painted pottery, Journal of Hellenic Studies 105, 108-28.
Vickers M. & Gill D. 1994: Artful Crafts: Ancient Greek Silverware and Pottery (Oxford).
Voss J.A. & Young R.L. 1995: Style and the self, in: Carr C. & Neitzel J.E. (eds), Style, Society, and Person: Archaeological and Ethnological Perspectives (New York and London) 77-99.
Voutsaki S. 2002: The ‘Greekness’ of Greek prehistory: an investigation of the debate 1876-1900, Pharos 10, 105-22.
Voutsaki S. 2003: Archaeology and the construction of the past in nineteenth century Greece, in: Hokwerda H. (ed.), Constructions of Greek Past: Identity and Historical Consciousness from Antiquity to the Present (Groningen) 231-55.
White H. 1987: The Content of the Form: Narrative Discourse and Historical Representation (Baltimore).
Whitley J. 1997: Beazley as a theorist, Antiquity 71, 40-47.
Wollheim R. 1973: On Art and the Mind (London and Cambridge, MA).
Wind E. 1963: Art and Anarchy (London).