Surrealist structure and image in the work of Luis Bunuel

PDF (ελληνικά)
Published: Jan 31, 2017
DOI: https://doi.org/10.12681/comparison.10124
Νίκος Σταμπάκης
Abstract

This paper, based on the author's PhD research, attempts to identify certain principles pertaining to the surrealist notions of image and structure, as applied to film practice. The works of Luis Bunuel, and, more particularly, his early and late films, are used as an example of how the surrealist approach functions, both across modes of expression (given surrealism's origins in the practice of automatic writing, and writing in general) and across eras in the development of established film practices.

Article Details
  • Section
  • Articles
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Authors who publish with this journal agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g. post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (preferably in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Downloads
Download data is not yet available.