Issues on the meaningof the frescoes in the transifiguration church at Pyrgi, near Avlonari. Aspects of Euboea under latin occupation.
Abstract
The aim of the paper is to prove, that Euboea during its Venetian Period (1204-1470) produced an art, especially monumental painting, that iconographically remained faithful to the orthodox doctrine. This fact conforms to what we know about its Political and Church History, i.e. a conscious though latent resistance against the non-Orthodox conquerors.
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ΤΡΙΑΝΤΑΦΥΛΛΟΠΟΥΛΟΣ Δ. Δ. (2014). Issues on the meaningof the frescoes in the transifiguration church at Pyrgi, near Avlonari. Aspects of Euboea under latin occupation. Deltion of the Christian Archaeological Society, 33, 141–154. https://doi.org/10.12681/dchae.1241
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